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Home » Ethiopia » Inside Addis Ababa’s Red Terror Martyrs Memorial Museum
Ethiopia

Inside Addis Ababa’s Red Terror Martyrs Memorial Museum

Matthew Klint Posted onDecember 17, 2025December 17, 2025 1 Comment

a stone statue of two people in front of a building

I crossed the street from my Addis Ababa hotel and walked into one of the most unsettling museums I have ever visited.

The Red Terror Martyrs Memorial Museum Is One Of The Darkest Places I’ve Ever Been

I visited the Red Terror Martyrs Memorial Museum in Addis Ababa on a quiet morning, still shaken from a pickpocketing incident earlier that day. I knew, in broad terms, what the museum documented. I did not fully appreciate how direct, graphic, and unflinching it would be.

cars parked cars outside a building

a sign on a building

a statue of a woman and a man

Like any good museum documenting human atrocity, it is not designed to comfort the visitor..it is designed to confront you.

What The Museum Is

The Red Terror Martyrs Memorial Museum commemorates the victims of the “Red Terror,” a campaign of mass violence carried out by Ethiopia’s Derg regime between 1976 and 1978. The Derg was a Marxist-Leninist military junta that seized power after the overthrow of Emperor Haile Selassie and ruled Ethiopia through fear, surveillance, and systematic brutality.

The museum sits directly across from Meskel Square, an ironic and jarring location given how central that space is to public life in Addis Ababa (it became Revolution Square after the overthrow of Selassie). Inside, the museum documents state-sponsored murder, torture, imprisonment, and terror carried out against perceived political enemies, students, intellectuals, and ordinary civilians.

A Campaign Of Terror By Design

What makes the Red Terror particularly chilling is how deliberate it was. This was not chaos or civil-war collateral damage. It was a policy.

The Derg encouraged citizens to inform on one another. Youth militias were armed and empowered. Bodies were left in the streets as warnings. Families were often forced to pay for the bullets used to execute their loved ones before they could retrieve the bodies.

The museum makes this explicit. Photographs show young faces, many of them students. Exhibits describe arbitrary arrests, torture methods, and executions carried out without trial. Prison cells are reconstructed. Personal belongings are displayed. Names and dates are preserved.

a sign on a wall

a picture on the wall

a black and white photo of a woman holding a baby

a sign on a wall

a poster on a wall

a group of pictures on a wall

a painting of people in a frame

a pile of metal objects on a red pole

a statue of a man tied to a table

 

a painting on a wall

a painting of people in a crowd

a sign on a wall

a staircase with a car parked in it

The scale is staggering. Tens of thousands were killed. Many more disappeared.

I have always been drawn to museums like this that document humanity at its worst. Genocide museums. Holocaust memorials. Gulag exhibits. Not out of morbid curiosity, but because they strip away abstraction.

Evil becomes specific. Bureaucratic. Ordinary.

The Discomfort Is The Point

This is not a place you “enjoy.” It is a place you endure.

I left feeling quite unsettled, having quickly forgotten about my own petty pickpocket incident when I considered what so many had been through.

And that is exactly the point. This museum exists not to entertain or even to educate in a conventional sense, but to preserve memory in a way that resists denial, minimization, or apathy.

Walking through the exhibits, I kept thinking about how language like “revolution,” “purification,” or “security” gets used to justify the most grotesque acts…yesterday and today. The Red Terror is a reminder of how quickly ideology can become an excuse for mass murder.

CONCLUSION

The Red Terror Martyrs Memorial Museum is one of the most disturbing places I have ever visited, and one of the most important. It is certainly worth a visit if you are in Addis Ababa.

It forces confrontation with the reality of human depravity when ideology, fear, and power collide. I am drawn to museums like this because they are honest about the human condition.

Travel writing often sanitizes destinations. Ethiopia, in particular, gets framed through ancient history, cuisine, and culture. All of that is real and important…I’ll shift back to coffee next.

But so is this, perhaps most of all.

The Red Terror is not ancient history: survivors are still alive and the trauma is still present. You cannot fully understand modern Ethiopia without acknowledging this chapter.

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About Author

Matthew Klint

Matthew is an avid traveler who calls Los Angeles home. Each year he travels more than 200,000 miles by air and has visited more than 135 countries. Working both in the aviation industry and as a travel consultant, Matthew has been featured in major media outlets around the world and uses his Live and Let's Fly blog to share the latest news in the airline industry, commentary on frequent flyer programs, and detailed reports of his worldwide travel.

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1 Comment

  1. 1990 Reply
    December 17, 2025 at 7:18 am

    Matt, thank you for sharing this. It’s a difficult one, for sure. Felt similarly about the memorial and museum in Kigali on the 1994 genocide there. I’ve only been to Siem Reap, but I hear Phnom Penh is similar, as is visiting the camps in Europe. We need to remember so that we recognize the signs and prevent it from happening again. Never again. I wish certain countries would finally recognize their own atrocities (like Turkey, on their genocide of Armenians and Greeks in the 1910s and 1920s).

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